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While the outcome of the case was not precedential, Perry's comments were the first time that a government official commented on the copyrightability of tattoos. They were also significant in drawing a distinction between the tattoo's design and application. Despite the case settling, it prompted further discussion of the topic and speculation as to how the case might have proceeded if it had gone to trial.
"It may be possible -- the courts will be weighing in on this based on many considerations," Liebesman told Life's Little Mysteries. "Under the Copyright Act, a tattoo could meet the requirement that the work be an 'original work of authorship fixed in a tangible medium of expression.'"
Mike Tyson’s most distinctive tattoo is the tribal-inspired design that covers the left side of his face. While its specific symbolism remains a private matter, tribal tattoos often signify aspects like strength, honor, and identity.
The tattoo has become part of pop culture when one of the characters in the hit movie The Hangover, Stu (played by actor Ed Helms), wakes up to find he has the same tattoo. This tattoo forms the crux of several jokes, especially when Tyson pops up in the film, and was also the center of a lawsuit.
To Tyson, the tattoo symbolizes his ability to overcome obstacles and evolve as a person. It is a reminder that even in the darkest moments of his life, there is always the possibility of transformation and growth.
On Tyson’s right arm is a detailed portrait of Mao Zedong, the Chinese revolutionary leader. Tyson chose this tattoo as a symbol of rebellion and resilience, traits he saw in himself. The tattoo reflects Tyson’s interest in socialist and revolutionary ideologies, showcasing his alignment with figures who disrupted the status quo.
But it wasn’t until years later that Tyson discussed the tattoo while chatting with sportscaster Jim Grey on his podcast that Tyson revealed his reasons behind getting the tattoo. When asked by Grey why he got the tribal tattoo Tyson replied, “I don’t know. I was supposed to do it earlier. Put this tattoo, I wanted a tattoo on my face. I was gonna put a bunch of hearts on my face, there’s a bunch of little hearts and my friends are like, no I am not gonna do anything whack like that."
Rachael A. Carmen et al. in the Review of General Psychology posit that Tyson's face tattoo may be an example of "body ornamentation as a form of intimidation". Charlie Connell and Edmund Sullivan in Inked describe it as having become "instantly iconic", while Vice's Mitchell Sunderland ranks it as one of the two things Tyson is best known for, alongside biting off part of Evander Holyfield's ear. Marie Hadley, in A History of Intellectual Property in 50 Objects, writes that the tattoo "has been described as one of the most distinctive tattoos in North America". Its stature has increased over time, aided by Tyson and the 2009 comedy The Hangover, in which it is prominent on Tyson, who appears as a fictionalized version of himself. The tattoo has become strongly associated with Tyson and has made his persona more distinctive.
